This Drifting Excrement Was Way Too Symbolic! It's the TV Letdowns of the Past Year.

Looking back, we reflect on the television landscape of the recent year, a handful of series stand out not for their excellence, but for their spectacular failures. Ranging from cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate spin-off? Plagued with woeful scripts, cringe-inducing character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. Briefly, as the final season began, it seemed as if it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. No wonder the creator announced this would be the final season. It concluded on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too symbolic. Yet, viewers undeniably found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon zero star review, it was difficult to know where to begin enumerating the problems. The laughably wooden dialogue? The tedious veneration of wealth and consumption? The almost wilful parade of cliches? Performances so bad they felt almost malicious? Let’s just say “all of the above” and forget about this show again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various bouts of reckless hedonism while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be saved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure admiration for its leads 
 but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe 
 in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Dodgy figures meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were plenty of other problems. Mainly that it was just profoundly boring; a conflict over narcotics territory between various cockney picaresques which felt rather simplistic.

With Love, Meghan

Considering the extent to which she grinds the gears of certain ostentatiously angry commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate statements. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental sayings and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for whatever reason, this three-part series opted not to say them. Instead, the viewing was like reading a sales brochure. She obviously has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next big hit – except even camper, with a famous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was straining desperately to emulate something way beyond it.

Too Much

How does one follow a show that defined a generation? The expectation was immense for this starry romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘patchy’.

Given the shrewd inclusion of gifted younger comics, hopes were high. But sadly, most of it fell flat. A particular sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, slightly mannered farce to inevitably, real-life horror. Twisted? Perhaps. A complete mess? Absolutely.

Prime Target

We love the star 
 but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? No! This globe-trotting thriller about government agencies spying on – and eliminating – academics honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for sexual exploits as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was way more examination of her actual psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to haul her son away from the queue. What we got was disturbing shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Nicholas Avila
Nicholas Avila

A technology strategist with over a decade of experience in IT consulting, specializing in digital transformation and cloud solutions for enterprise clients.